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  • The Design Philosophy Reader
    The Design Philosophy Reader

    What is design philosophy and why is it needed? This important book explains the discipline’s recent emergence, the key questions which dominate it, and its potential to fundamentally change the way we practice and think about design. The reader comprises eight thematic sections, each featuring a short, contextualising introduction and an annotated bibliography.It considers social, graphic, product and industrial design, and presents the writings of such leading design thinkers and philosophers as Deleuze and Heidegger, Aristotle and Plato.With texts ranging from philosophically informed writing on design and culture, to ancient and contemporary philosophy which addresses the concept of design, The Design Philosophy Reader is an impressive and pioneering work.

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  • The Philosophy of Design
    The Philosophy of Design

    The Philosophy of Design is an introduction to the fundamental philosophical issues raised by the contemporary practice of design.The first book to systematically examine design from the perspective of contemporary philosophy, it offers a broad perspective, ranging across key philosophical areas such as aesthetics, epistemology, metaphysics and ethics. The first part of the book explores central issues about the nature of design and its products, and the rationality of design methods.A central theme is that Modernist ideas, such as those offered by Loos and Gropius, provide important responses to these philosophical issues.In the second part of the book, these Modernist ideas serve as touchstones in the exploration of key issues for design, including: the place of aesthetics in design; design?s relation to personal expression; the meaning of function; and design?s relation to consumerism.The social responsibility of designers, and the impact of design practice on ethical reasoning are also discussed. Written in an accessible style, The Philosophy of Design presents a new perspective on design and a provocative reassessment of the Modernist legacy.It will engage students and designers with current philosophical debates, helping them to bring into clearer focus the meaning of contemporary design, and its unique challenges and possibilities.

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  • The Philosophy of Philosophy
    The Philosophy of Philosophy

    The Philosophy of Philosophy The Blackwell / Brown Lectures in Philosophy The Philosophy of Philosophy presents an original, unified concept of philosophy as a non-natural science.In this provocative work, distinguished philosopher Timothy Williamson challenges widely-held assumptions and clarifies long-standing misconceptions about the methodology and nature of philosophical inquiry.The author rejects the standard narratives of contemporary philosophy developed from naturalism, the linguistic turn, postmodern irony, and other prominent trends of the twentieth century.Viewing the method of philosophy as evolving from non-philosophical pursuits, Williamson provides readers with fresh insight into the “self-image” of philosophy and offers new ways of understanding what philosophy is and how it actually works.Now in its second edition, this landmark volume comprises the original book and the author’s subsequent work.New topics include the recent history of analytic philosophy, assessments of experimental philosophy, theories of concepts and understanding, Wittgensteinian approaches, popular philosophy, naturalism, morally-loaded examples in philosophy, philosophical applications of scientific methods, and many more.This edition features the author’s latest thoughts on a variety of issues, autobiographical reflections, and replies to critics.The Philosophy of Philosophy, Second Edition remains essential reading for philosophers, scholars, graduate and advanced undergraduate students in philosophy, and other readers with a sustained interest in the method and rationale of the doing of philosophy.

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  • White: Insights into Japanese Design Philosophy
    White: Insights into Japanese Design Philosophy

    The latest publication by designer Kenya Hara following his acclaimed Designing Design. White is not a book about color. It is rather the author's attempt to explore the essence of ?white,? which he sees as being closely related to the origin of Japanese aesthetics-symbolizing simplicity and subtlety.The central concepts discussed are emptiness and the absolute void. Kenya Hara also sees his work as a designer as a pure form of communication.Good communication has the distinction of being able to listen to each other, rather than to press one's opinion onto the opponent.Kenya Hara compares this form of communication with an ?empty container.?In visual communication, there are equally signals whose signification is limited, as well as signals or symbols such as the cross or the red circle on the Japanese flag, which-like an ?empty container?-permit every signification and do not limit imagination.It is not only the fact that the Japanese character for white forms a radical of the character for emptiness that has prompted him to closely associate the color white with the state of emptiness. This book offers a personal insight into the philosophy of the successful designer and author of Designing Design. 4 illustrations

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  • Philosophy books

    Philosophy books are written works that explore fundamental questions about existence, knowledge, values, reason, mind, and language. These books often delve into complex ideas and theories, challenging readers to think critically and deeply about the nature of reality and human experience. Philosophy books can cover a wide range of topics, from ethics and metaphysics to political philosophy and aesthetics, providing readers with a deeper understanding of the world and their place in it. Reading philosophy books can be both intellectually stimulating and personally enriching, encouraging readers to question their beliefs and engage in thoughtful reflection.

  • 'Philosophy Germany'

    Philosophy in Germany has a rich and diverse history, with influential thinkers such as Immanuel Kant, Friedrich Nietzsche, and Martin Heidegger hailing from the country. German philosophy has made significant contributions to various fields, including metaphysics, ethics, and epistemology. The tradition of German philosophy is known for its rigorous analytical approach and its exploration of complex philosophical concepts. Overall, Germany has been a key center for philosophical thought and continues to be a hub for philosophical inquiry and debate.

  • What is this style of interior design called?

    This style of interior design is called minimalist design. It focuses on simplicity, clean lines, and a clutter-free environment. Minimalist design often features neutral colors, natural materials, and a sense of openness and tranquility. The goal is to create a space that feels calm, uncluttered, and harmonious.

  • How do you find Trump's interior design style?

    Trump's interior design style can be described as opulent and extravagant, with a focus on luxury and grandeur. His properties often feature gold accents, marble finishes, and ornate details, creating a sense of grandiosity. The style is often criticized for being ostentatious and lacking in subtlety, but it certainly makes a statement. Overall, Trump's interior design style reflects his larger-than-life persona and his affinity for lavishness.

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  • Analytic Philosophy and History of Philosophy
    Analytic Philosophy and History of Philosophy

    Philosophy written in English is overwhelmingly analytic philosophy, and the techniques and predilections of analytic philosophy are not only unhistorical but anti-historical, and hostile to textual commentary.Analytic usually aspires to a very high degree of clarity and precision of formulation and argument, and it often seeks to be informed by, and consistent with, current natural science.In an earlier era, analytic philosophy aimed at agreement with ordinary linguistic intuitions or common sense beliefs, or both.All of these aspects of the subject sit uneasily with the use of historical texts for philosophical illumination. How, then, can substantial history of philosophy find a place in analytic philosophy?If history of philosophy includes the respectful, intelligent use of writings from the past to address problems that are being debated in the current philosophical journals, then history of philosophy may well belong to analytic philosophy.But if history of philosophy is more than this; if it is concerned with interpreting and reinterpreting a certain canon, or perhaps making a case for extending this canon, its connection with analytic philosophy is less clear.More obscure still is the connection between analytic philosophy and a kind of history of philosophy that is unapologetically antiquarian.This is the kind of history of philosophy that emphasises the status of a philosophical text as one document among others from a faraway intellectual world, and that tries to acquaint us with that world in order to produce understanding of the document. In this book, ten distinguished historians of philosophy, mostly trained in the analytic tradition, explore the tensions between, and the possibilities of reconciling, analytic philosophy and history of philosophy.

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  • History of Philosophy Volume 10 : Russian Philosophy
    History of Philosophy Volume 10 : Russian Philosophy

    This addition to Copleston’s covers Russian thought from the eighteenth century to Lenin and the post-Stalin period. Frederick Copleston was Professor of the History of Philosophy and Dean of the Faculty of Theology at London University.This eleven-volume work is one of the most remarkable single-handed scholarly enterprises of modern times.Volume 10 covers Mikhail Bakunin, Nikolai Bukharin, Fyodor Dostoevsky, Alexander Herzen, Vladimir Lenin, George Plekhanov and Leo Tolstoy. In the course of tracing the evolution of philosophical thought in Russia from the time of Catherine the Great into the present century, the author devotes careful analysis to radical thinkers, Marxists and the relevant ideas of the great Russian writers.He also includes a discussion on Russian thinkers in exile. Brimming with detail and enthusiasm, A History of Philosophy gives an accessible account of philosophers from all eras and explains their works in relation to other philosophers.Each volume is an ideal guide for students studying specific eras and as a set offers a complete and unrivalled overview of the entire western philosophical tradition.

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  • Philosophy by Other Means : The Arts in Philosophy and Philosophy in the Arts
    Philosophy by Other Means : The Arts in Philosophy and Philosophy in the Arts

    Throughout his career, Robert B. Pippin has examined the relationship between philosophy and the arts.With his writings on film, literature, and visual modernism, he has shown that there are aesthetic objects that cannot be properly understood unless we acknowledge and reflect on the philosophical concerns that are integral to their meaning.His latest book, Philosophy by Other Means, extends this trajectory, offering a collection of essays that present profound considerations of philosophical issues in aesthetics alongside close readings of novels by Henry James, Marcel Proust, and J.M. Coetzee. The arts hold a range of values and ambitions, offering beauty, playfulness, and craftsmanship while deepening our mythologies and enriching the human experience.Some works take on philosophical ambitions, contributing to philosophy in ways that transcend the discipline’s traditional analytic and discursive forms.Pippin’s claim is twofold: criticism properly understood often requires a form of philosophical reflection, and philosophy is impoverished if it is not informed by critical attention to aesthetic objects.In the first part of the book, he examines how philosophers like Kant, Hegel, and Adorno have considered the relationship between art and philosophy.The second part of the book offers an exploration of how individual artworks might be considered forms of philosophical reflection.Pippin demonstrates the importance of practicing philosophical criticism and shows how the arts can provide key insights that are out of reach for philosophy, at least as traditionally understood.

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  • The Philosophy Foundation  Provocations : Philosophy for Secondary School
    The Philosophy Foundation Provocations : Philosophy for Secondary School

    David Birch's Provocations: Philosophy for secondary school will help teachers to present ideas and stimulate discussions which both accommodate and engage adolescent appetites. Foreword by A. C. Grayling. Are human beings flawed? Is murder an act of insanity or just plain thoughtlessness?Do we need a soul?From the fall of Icarus to the rise of Caesar, this practical resource draws upon history, philosophy and literature to provoke students to think, question and wonder.Divided into chapters on the world, self, society and others, the book is designed to give secondary school teachers the means to listen rather than teach - and to allow the ideas and thoughts of students to form the centre of the lesson. It shares a set of mature and challenging philosophy sessions predicated on the pedagogical methods of The Philosophy Foundation, and which explore, among other things: Wagner and desire, Shakespeare and madness, Joan of Arc and gender, Faust and temptation, and Nostradamus and time.The sessions dare students to think philosophically, to generate and test ideas, and to gain deeper insights - and raise questions on slavery, consumerism, utopia, the nature of evil, the limits of freedom, belief in God, and a whole lot more. The book sets out a clear introductory outline on its use both in and out of the classroom, and contains helpful tips and advice to guide teachers to span the curriculum - covering areas applicable to history, geography, religious studies, science, art, English and citizenship.There is also an extensive bibliography for those who wish to explore the topics in greater depth. Designed for all teachers, whether they are Philosophy for Children (P4C) trained or just experimenting with philosophy, of learners aged 11-18. There is also a hardback edition available, ISBN 9781845908881.

    Price: 12.99 £ | Shipping*: 3.99 £
  • How would you describe your interior design style?

    My interior design style can be described as modern and minimalist. I prefer clean lines, open spaces, and a neutral color palette with occasional pops of color for contrast. I also like to incorporate natural elements such as wood and plants to bring warmth and texture to the space. Overall, my style is focused on creating a sense of calm and simplicity in the home.

  • What is the name of this interior design style?

    The name of this interior design style is "mid-century modern." This style is characterized by clean lines, organic shapes, and a mix of traditional and modern materials. It often features furniture and decor from the mid-20th century, with a focus on functionality and simplicity. The color palette is typically warm and earthy, with pops of bold, vibrant colors.

  • What is the name of the interior design style?

    The name of the interior design style is "Mid-Century Modern." This style emerged in the mid-20th century and is characterized by clean lines, organic shapes, and a mix of traditional and modern materials. Mid-Century Modern design often features minimalist furniture, bold colors, and a focus on functionality and simplicity.

  • Psychology or philosophy?

    It ultimately depends on individual interests and career goals. Psychology is the scientific study of the mind and behavior, focusing on understanding human behavior and mental processes. Philosophy, on the other hand, is the study of fundamental questions about existence, knowledge, values, reason, mind, and language. Both fields offer unique perspectives and opportunities for personal and intellectual growth. It is important to consider which field aligns more closely with your interests and goals to make an informed decision.

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